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“The mechanical paradise” evaluates the Industrial Revolution’s impact and the life’s mechanization. It is observed by Hughes that “Any prospect is the summation of diverse sights. And so authenticity contains the efforts of painter to observe this. Both view and viewer belongs to similar field. Actuality, in brief, is interface”. The “Art of Classical Realism” was ruled by progressive and perspective diminution on a horizon, nonetheless the view of Industrial era from the “Eiffel Tower and a Balloon” or thereafter from skyscrapers and aero planes, is a fundamentally dissimilar repeatedly rectilinear patchwork” (Hughes, 2013).

Hughes, R., 2013. The shock of the new. Knopf.

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